WebFiona Handyside here considers the careful counter-balance of vulnerability with the possibilities and pleasures of being female in Coppola's films - albeit for the white and the privileged - through their recurrent themes of girlhood, fame, power, sex and celebrity. Chapters reveal a post-feminist aesthetic that offers sustained, intimate ... WebFiona Handyside is the author of Eric Rohmer (4.25 avg rating, 36 ratings, 4 reviews, published 2012), Sofia Coppola (3.94 avg rating, 31 ratings, 2 revi... Home My Books
Fiona Handyside – The Conversation
Web2 Fiona Handyside, film studies lecturer at the University of Exeter, approaches Sofia Coppola’s filmmaking through the theoretic lens of girlhood studies, a field that has … WebFiona Handyside here considers the careful counter-balance of vulnerability with the possibilities and pleasures of being female in Coppola's films - albeit for the white and … farmhouse iron wall decor
Eric Rohmer: Interviews (Conversations with Filmmakers Series)
WebMay 13, 2024 · About the reviewer. Fiona Handyside – University of Exeter Dr Fiona Handyside is Senior Lecturer in Film Studies at the University of Exeter. She is the … WebNov 30, 2015 · Introduction; Fiona Handyside and Kate Taylor-Jones PART I: GIRLHOOD AND POSTFEMINISM GLOBAL PERSPECTIVES 1. The Showgirl Effect: Adolescent Girls and (Precarious) "technologies of sexiness" in Contemporary Italian Cinema; Danielle Hipkins, 2. Girlfriends, Postfeminism, and the European Chick-Flick in France; Mary … Web2 Fiona Handyside, film studies lecturer at the University of Exeter, approaches Sofia Coppola’s filmmaking through the theoretic lens of girlhood studies, a field that has emerged and grown in the wake of Catherine Driscoll’s pioneering book Girls: Feminine Adolescence in Popular Culture and Theory (2002). 3 Handyside aptly resorts to a ... free printable borders for word